Brief Biography of Fazlur Rahman Khan
Brief biography of the Bangladeshi-American architect Fazlur Rahman Khan, who designed the Hancock Center and Sears Tower in Chicago.
Card from Deanna Derrig to Sadruddin Noorani
Card from Deanna Derrig to Sadruddin Noorani regarding the efforts made in renaming a portion of Franklin St., Chicago in honor of the architect Fazlur R. Khan.
Letter from Gery Kery to Sadruddin Noorani
Letter to Sadruddin Noorani from Geri Kery, requesting several items for commemorating the achievements of Fazlur Rahman Khan.
Fundraising Dinner for Bangladesh Scholars
Program for fundraising dinner, organized by the American Association of Bangladeshi Engineers and Architects, for the Bangladesh Scholarship in memory of Fazlur Rahman Khan.
Frontera Fest: Marian Thambynayagam
The eleventh episode of The Chutney Bubble Tea Half Hour is the first of the Spring 2002 semester. This show features Brooklyn-based poet/actor/performer Marian Thambynyagam, a University of Texas alumnus who, as an undergraduate was a leader in the student struggle for an Asian American Studies program.
Center for Asian American Studies: Director Search & Community Development
The twelfth broadcast of The Chutney Bubble Tea Half Hour, this show deals with the Center for Asian American Studies at the University of Texas and features the Interim Director, Mia Carter, Search Committee member and UT undergraduate Cindy Kim and Community Liaison and UT alumnus Irwin Tang.
Asian American Images in Hollywood
Broadcast number 21 of The Chutney Bubble Tea Half Hour looks at the pros and cons of Hollywood's history with Asian Americans. The first half of the show introduces the broad spectrum of stereotypes that are found in film and television and examines the racial politics behind such stereotypes.
Marketing Asian Culture: "Yellow Apparel"
The 22nd broadcast of The Chutney Bubble Tea Half Hour previews the Austin-area showing of the student-made documentary film Yellow Apparel: When the Coolie Becomes Cool. Like the film, this show discusses the political and social consequences of cultural commodification in a racially stratified society. One of the student filmmakers, Anmol Chadda, participates in the discussion.